First Gravedigger is set in the world of antiques -- not
necessarily the cherishing thereof, but the buying-and-selling end. At
the time I wrote the book, Jonathan Gash's Lovejoy novels were new
on the scene and I'd not yet discovered the very special joys of those
roguish stories. But I didn't choose antiques as my background because
I thought it was an unmined field -- oh no, that's not the reason.
The reason I wrote a novel about the antiques business is that one backless
bookcase in my office blocked an electric outlet. All the other outlets
were in use except that one right behind a shelf of unread books I'd
picked up here and there. So every time I wanted to run the vacuum cleaner,
I had to remove two books from the shelf in order to reach through and plug
in the vacuum cord.
One of those two books was a volume about antiques. After I'd moved the
book for about the twentieth time, I thought I might as well read the thing.
And that's how I came to write a book about antiques.
(The other book was the collected letters of Bedrich Smetana, which I
have yet to get to.)
The title comes from a play that's been around for a while:
Hamlet: Whose grave's this, sirrah?
First Gravedigger: Mine, sir.
The novel is the story of a man who digs his own grave. Earl Sommers is a
me-first kind of guy. He works as a furniture specialist at a prestigious
antiques gallery, a likely heir apparent to the elderly owner of the
gallery. But he's not above cheating his benefactor or playing illicit
games with the owner's young wife.
But then things start to turn sour. The owner finds out. He begins a
subtle campaign to discredit Earl as a dealer before kicking him out.
Earl sees it all slipping away -- the gallery, the young wife, even his
profession.
That's the time a boyhood friend chooses to show up, a long-time loser
whom Earl has little use for. The loser announces he's going to kill
himself. Then Earl gets the idea of asking his old buddy to perform one
little favor for him before he does the deed.
This book was the first in which I used a male narrator. But by the time
I was nearing the end of the writing, I could actually hear Earl's voice
in my head. He's a complicated character, but not really brave enough to
play the hand he was dealt without trying to cheat. His first instinct is
always to try to gain an unfair advantage over the other guy. Like the scorpion
in the fable, it's his way.
Reviews:
Cedar Rapids Gazette:
"The writing problems here are enormous. Paul must keep Earl amoral but
naive, knowing but incapable. Her success is spectacular. The last
chapter--in which she shifts tone completely--is as haunting and dispiriting
as anything done in crime fiction this year."
The New York Times:
"Miss Paul is a highly skillful writer, and First Gravedigger should
keep readers turning pages to the end."
Library Journal:
"A fast-moving book with a well-described background."
Booklist:
"An innovative, surprising narrative in which the murderer commands center
stage, including the action, the interest, and even our begrudging
affection."